Sýnir færslur með efnisorðinu Essex Junction. Sýna allar færslur
Sýnir færslur með efnisorðinu Essex Junction. Sýna allar færslur

fimmtudagur, 25. september 2014

Layout Alterations - further simplifications

When I started the layout I planned to have Essex Junction as my "main" yard scene. Then as the design process progressed I found I could include White River Jct., a scene I really wanted to include, in the "main yard" area - and I relegated Essex Junction to the end of the "rear" aisle. I managed to get the track to fit - of course we didn't have the wye, (I included two legs of the wye), and the train shed and station were on the wrong side of the town relative to the prototype.
I managed to get most of the sidings in place - but the problems really started when I tried to fit the structures into the scene. There was just no room for them.
Not helping matters was the track issues in Essex. Frankly, I rushed the track work in an effort to get it ready for an open house, and ended up with some kinked track that worked - sort of - and stayed in gauge - sort of. But I was far short of 100% operating reliability - the issue was simply too much was jammed into that portion of the layout.
Here's a couple of shots showing Essex Junction - as you can see there's a LOT of track crammed into this alcove.

So I've decided, somewhat reluctantly to remove Essex Junction.
What's going in its place?
Richmond, VT., the station between Essex and Waterbury that had slipped between the floorboards during the design process.
To give you an idea of what this will look like here's a preliminary sketch of the track plan for Richmond. I reserve the right to alter this as we make this change, but the result will hopefully be a simple scene that is interesting to view and photograph.



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miðvikudagur, 28. maí 2014

Wordless Wednesday #48


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þriðjudagur, 17. júlí 2012

Essex Junction Trackwork - Update

Rather than overcomplicating things, I decided to go with a very simple homemade spring to hold the points on my hand laid turnouts. As you can see from the photos, the spring is a piece of .028" brass wire bent to a 90-degree angle with two "legs" bent downward. These legs are inserted in holes drilled in the throw bar and an adjoining tie. 
Once the turnout is finished, painted, weathered, and ballasted, I think it will be virtually invisible. If I want to take a realistic photo of the scene at some point it's a simple matter to remove the spring and replace it once the pictures have been taken. 
Thanks to all who commented with suggestions - the "spring" you see here is actually the result of some experimentation over the last couple of nights. I'm pleased with how well it works. Sometimes the simplest solutions are the best. 

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miðvikudagur, 11. júlí 2012

Essex Junction trackwork in progress

Been spending time over the last couple of weeks laying track in Essex Junction. It took several evenings with Sanborn Maps and prototype track maps - along with photos - to come up with a trackage arrangement that resembles the prototype and is functional enough to support the planned operation on the layout (sometimes those two things don't align as well as we might like!)
Anywhere I can use a straight "stock" turnout I use Micro-Engineering Code 70 no. 6 turnouts (all the track, with the exception of a couple of code 55 sidings, is M-E code 70. For curved turnouts, custom fit to a specific place, I handlay them. 
I need to handlay a total of six turnouts for the train shed approach tracks - most of these turnouts are somewhat curved. I'm using Detail Associates frogs whenever possible (on at least two turnouts the "stock" frogs won't work, so I have to scratch build the frogs as well) - 
One of the main things I need to figure out is how to throw the hand built turnouts - the ME turnouts have a built-in spring - and I've really come to like those - crews don't have to translate between a turnout and a control panel of some sort, and I don't have to build a control panel - or, even better - install under-table switch motors. I've been using Caboose Industries ground throws in some other areas of the layout (Hartford and Waterbury) - they work great but look awful - especially in photos. I'd rather avoid them in the Essex Junction scene. Stopped by Radio Shack on the way home and picked up a couple of slide switches to see if they would work.  


Here's a couple of progress shots - more pics to follow! 



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sunnudagur, 13. maí 2012

A Two-Legged Wye?


Not sure if it's akin to a three-legged dog. The riddle: "When is a wye not  a wye?" The answer: "When you only model two legs of it."
Adding a wye to a model railroad is usually a source of frustration and trauma. Sure, a small wye - one that has nothing in the center, can be a fairly straightforward addition to a track plan. But what about those  times where the wye has "stuff" - buildings, sidings, and the like - inside?
The wye at Essex Junction was unusual since there was a cut off track (I�m not sure what it was called) that ran between two legs of the wye.  Along this cut off track were several industries.  Since I didn�t have the depth for the �outer legs� of the wye, I decided to focus my efforts on this cut off track.  In essence, I'm modeling two of the three legs of the wye and not connecting them together. (On the prototype, the "missing" leg formed the branch line to Burlington, about 8 miles west of Essex Junction.
Losing the wye is not a problem for me - and trying to include the complete wye was causing all types of track planning issues.
Besides, I�m more interested in the industrial switching possibilities than in modeling the several blocks of commercial and residential buildings that would be required if I wanted to model the complete wye.
In a previous post, I mentioned how I�d switched the position of the trainshed and wye.  I also found I had to flip the orientation of the wye itself � a mirror image of the wye.  Luckily these changes are almost �transparent to the user� � you have to be pretty familiar with Essex Junction to pick up on the differences between my now-developing layout scene and the actual prototype.  The main goal, in my mind, is to capture the overall look of the scene.
This old time photo of the wye area (I�m not sure when it was taken, but based on the locomotive I�d say this pre-dates 1920) shows a couple of key buildings that I wanted to include on the layout. The opening photo shows the area just to the right of the picture about. One of the neatest industries in Essex Junction was the Vermont Maple Sugar Co. (a signature industry for rural Vermont - sometimes you have to almost hit people over the head for them to get what you�re modeling � the sign is a step towards that goal) and the Baxter Brothers cannery.
I know both of those buildings were still there in the 1950s (they�re still there today), and I can get photos and enough information to model them.  The other industries that were on that connector track inside the wye are a little more problematic.  I hadn�t turned up any photos showing those buildings until I came across the UVM website that included aerial photos of Essex Junction in the 1930s. I do have footprints of the buildings from both the railroad drawings of Essex Junction and Sanborn Maps.  I also managed to locate the buildings, as they appear today, in Bing Maps overhead views of Essex Junction.
I�ve adjusted the position of some of the buildings to better fit the layout space, but I have already built mockups of the Vermont Maple building, the Baxter Brothers cannery, and several of the other industries have been mocked up by taping pieces of various kits together.

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Backdrop tweaks



My first attempt at including a backdrop in what I call the "Essex Junction alcove"  (You can see the approximate position of the Essex Junction shed with the mockup on the left) utilized a curved piece of Masonite attached to the wall and forming a constant radius curve in front of the support post and joining the peninsula backdrop.
I didn�t like the way the curved section of backdrop looked � besides it would have made an awkward scene with the wye trackage.  I also (for once) wisely decided to do something about it before laying track in this area.  It would have been difficult to do this work with track in place � and virtually impossible with scenery!
So I removed the last backdrop section, cut a panel of Masonite to fit between the end of the existing backdrop and the support post, and blended the joint smooth. I�ll paint the post sky blue so it will look like part of the backdrop.
Removing the backdrop section meant the backside of another section of backdrop was visible. I framed up some supports and used some Masonite to fill the area between the support post and the wall. When this is all painted sky blue I think it will fade away from view � something that all backdrops should do!
As an aside, I'm really, really pleased with the fascia color!



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föstudagur, 6. apríl 2012

Historic Photos of Vermont

I ran across a tremendous resource at the University of Vermont web site. A collection of historic photo graphs of Vermont, many of which show scenes familiar to railroad modelers of the state. I found two of them of particular interest:

The first was this view of Essex Junction that shows the industries located in the around the wye - this shot dates from 1930 (the dates on some of the captions have been questioned, but the presence of the Burlington & Lamoille RR trackage in the middle of the wye makes me believe the 1939 date.

Another neat find was this photo showing a close up of the Demeritt Company in Waterbury.

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laugardagur, 4. febrúar 2012

Graffiti: Model It or Not?


Back in the 1957 Bob Decker went the entire length of the Northern Division taking pictures of every CV building and facility he could � whether or not there was a train in the picture. 
I didn�t notice something interesting about this shot of the Essex Junction, Vt. water tank until I scanned the slide and looked at it on the big screen. Although whether or not to model graffiti is a question faced by modern era modelers, I didn�t think it was an issue for me � after all, I�m modeling the steam era in northern Vermont � hardly the kind of place and time I expected to see any graffiti, even something as innocuous as this particular example on the base of the water tank.  
And this says �Class of �50� � and I know Bob Decker took this photo in 1957, so this graffiti was around for a while. So, the question is, whether to include it on the model of the Essex Junction water tank or not. 

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föstudagur, 2. desember 2011

Planning Essex Junction


I have been spending an hour or so a night for the last couple of weeks planning, and re-planning, the Essex Junction scene. 
I�m happy to report these efforts are starting to pay off. 
This scene and I go way back. The first layout I started building as an adult (when I determined the CV in the steam era was right for me) featured the Essex Junction scene. That one never got past the benchwork stage.  The second time I modeled it was in N scale on a small layout I built in a rented townhome when I was on the MR staff. That scene led to an article on Essex Junction that appeared in Model Railroad Planning
It's finally time to do this scene again - this go 'round will be HO scale. 
Essex Junction is, in reality, two different �scenes.�  The first, and most recognizable, is the area around the trainshed itself.  Here�s a familiar view of the trainshed. 
 The second, much less familiar scene was area around the wye, just a couple of blocks south of the trainshed.  It was rarely, if ever photographed � at least in its entirety.  One photo showing the wye is this very early image: 
Using CV engineering department drawings and Sanborn Maps this map shows the track and most of the industries in, and around, Essex Junction in the early 1950s. 
On the layout, I�m taking the approach of making whatever compromises I need to make to have the trainshed look as much like the pictures as possible, even if it means I have to �tweak� the wye scene slightly.  Perhaps the biggest compromise I made was to flip the location of the wye and trainshed, relative to the other modeled towns on the layout.  Coming north from Waterbury (on the layout, around the bend on the peninsula) a train should go through the wye and then past the shed on its way north to St. Albans.  On my layout the train will go through the shed and then the wye.  If I maintained the prototype elements in their correct orientation, the track would curve in the �wrong� direction relative to the most commonly photographed view of the scene.  I felt it was important to capture this angle for the trainshed scene to look right, even if it meant flipping the relative location of the shed and wye.  Besides, when I mocked up the scene with the elements in the �right� place there was little room for the wye trackage. The shape of the basement dictated the placement I�m using. 
Due to the configuration of the layout and the basement, I can also add a live third leg of the wye to serve as a live interchange track representing the Burlington branch.  This same track will also permit me to reverse trains between sessions by backing them over from the north end staging yard. 
I suppose there are some who would be bothered to no end by the compromises I�ve made on this scene.  I think the finished scene will look like Essex Junction, even if the individual elements are not arranged exactly like the prototype. 

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miðvikudagur, 16. nóvember 2011

Hectic Fall . . .

I can't believe we're almost halfway through November. I haven't gotten much done model railroading-wise in the past month - we had two trips to Charleston, SC - one to see my youngest son (who's a senior at The Citadel) get his school ring on Parent's Weekend, the second was last weekend to attend my 25th reunion. In  between I went to the MER convention in Cary, NC.  The one weekend we were home was spent doing fall outdoor chores. 
We have family visiting for Thanksgiving week next week - so essentially November will be over in no time. To top it all off, work has been really nuts lately. 
Bernie Kempinski and I plan to visit and operate on some out of town layouts the first weekend in December - once that trip is done I think I'll stay home for a while!
The shorter days and cooler temps have me all fired up to hunker down and work on some models - but things have just been too hectic. 
I have had a few odd moments to look over the "alcove" area. The current layout plans called for putting Essex Junction along the "long wall" at the entry to the layout area. But that area is not ideal since it's almost too much room for Essex Junction, and the wye would loose one of it's legs. Why not, I thought, move Essex to the alcove - leaving room for me to include White River Junction (or at least the CV-centric elements of WRJ) where I was planning to put Essex Junction? 
Some early tests with mockups show this might work - here's an early sketch showing where Essex Junction would end up. (After looking at this with the full-size mockups, I think the Essex Junction trainshed would actually be better on the peninsula (across the aisle from where it shows on this diagram):
















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miðvikudagur, 15. júní 2011

A bold fascia color choice?

I haven�t posted on this blog lately simply because I�ve not done much on the layout.  Oh, I�ve done plenty of thinking about the layout, but not much actual progress has been made.  The reasons are many, including spring fever, a large amount of landscaping work that started in late March and is only now winding down, and simply a loss of inertia.  A little bit of planning never hurt anyone.  And daydreaming about that next layout is perfectly harmless, provided it doesn�t overshadow progress on the layout you�re actually trying to build. 

But this bout of analysis paralysis has been the worst I�ve ever experienced.  In short, I�d taken down all but the basic benchwork for a large, basement filling layout (that I�d built in near record time) and things haven�t fallen back into place as quickly as I thought they would.  I have a number of structures and building mockups � I must have arranged, rearranged, and then re-rearranged them a bunch of times. Nothing seemed to look right, nothing was working right.  In short, I was frustrated � burned out � and somewhat ticked off at myself and the layout. 

So, as I�ve been busy at work at and puttering around the house for the last few months I�ve been doing a lot of second guessing what I�m planning to do in the basement.  �Is this the �best� benchwork footprint?�  �Should I model this town or that town?�  I�ve even questioned era and prototype � after all, I�ve been doing some form of the Central Vermont steam era thing for well over a couple of decades.  Perhaps it�s time to do something truly different?

I�ve decided the answer, at this time, for me, is �no.� I have the necessary collection of rolling stock and locomotives (too many of the latter, but that�s a story for another day) to come pretty close to accurately recreating the CV of the late steam era. I have a plan for most of the layout that I think will be interesting to build and operate.  A huge question still remaining is what �Town 3� will represent.  Perhaps some form of White River Junction?  Perhaps a semi-freelanced industry such as a paper mill or limestone quarry. Or maybe another �typical� Northern division CV town � (If that�s the route I choose then the two most likely candidates at this point are Swanton or Randolph). Since I don�t really know what I�m going to do about the south end of the railroad, I�m going to loosely glue a few Atlas code 83 turnouts and lengths of flextrack in place as a temporary staging yard.

What I need to do is focus on those sections of the layout that are fairly firm in my mind � Waterbury and Essex Junction.  After all, there�s no reason to let over thinking prevent me from making some headway on the rest of the railroad.

What does any of this have to do with installing fascia panels?

The Essex Junction trainshed mockup in place.
Plenty. You see, one of the best cures for analysis paralysis is to do something � anything � that resembles progress. In my case, I was sick of tripping over the strips of Masonite and other wood cluttering the basement. Rather than wait until I had a �perfect� track plan I decided my immediate goal was to get the benchwork completed. This in my case meant installing the fascia panels. Once that�s done, the benchwork will, at long last, be complete.

So, what comes after that? All the track is laid in Waterbury � and even wired and painted. But there�s still a lot of track in Essex Junction that needs to be installed. Refining the Essex Junction track arrangement is the next �big� project. I've got the mockup of the trainshed built and have been using it to determine the exact position of these key element in the scene. 


For reference, the mockup is about 28" long in HO scale.

View from looking south towards the trainshed.
  

NOTE: Sky blue is not the final fascia color. Those are actually leftover pieces of Masonite from the lower-level backdrops on the formerly double-decked peninsula.
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mánudagur, 7. mars 2011

Planning the Essex Junction Trainshed


I managed to mess up my back during the weekend so I have not been able to work on the layout � I simply can�t stand for very long or hunch over anything. Luckily, today it feels better than it did yesterday and far better than on Saturday.

Since I can�t really work on finishing up the track work in Waterbury, and daytime television isn�t worth anything I decided to round up some photos of the Essex Junction trainshed. I have a lot of information on Essex Junction, but it�s scattered in numerous binders, books, and file folders. It was time to put it together in one �Essex Junction� reference binder. Included with this post are a few pictures of the shed.

When it was built (sometime just before the Civil War) the shed looked like three tunnel portals, side by side. 


Over time as engines and cars got larger the shed portals were too small, so they were removed by the late 1880s and replaced by a wood gable ends that spanned all three tracks (when the B&L line was abandoned in the late 1930s, the third track � actually Track One � was removed leaving two tracks that ran through the shed. Here�s the way I�m going to model it (top photo is looking north, bottom photo is looking south):




This is going to be one of those signature projects on the layout � it has to be done �right� since it�s such a critical element of the scene.

You can see lots of details on Essex Junction in my article that appeared in Model Railroad Planning 1998. I also wrote another article on Essex Junction, this one including plans of the station and trainshed drawn by my good friend Laz Scangus, in the February 1993 Mainline Modeler.

I�ve built an N scale model of the trainshed before (it appears in the MRP 98 article). But for this HO scale model I want to take it a step further and include the ceiling truss work as well as some interior lighting. Mostly, I want to be able to recreate some of the photos shown here, taken inside the shed.



There is also the practical aspect of coupling and uncoupling cars inside the trainshed. Do I make the entire roof removable (for operating sessions we�d take the roof off) or add an opening in the roof � similar to what Jack Burgess did with his model of the Yosemite Valley�s El Portal station?



Perhaps what I need to do is leave one side wall removable, perhaps held in place with magnets. That way, if I want to shoot a picture from inside the shed I can take that sidewall off and get the camera lens �inside� the building.

I plan to build the shed almost exclusively from styrene. Once I figure out how the roof trusses were constructed I�ll draw them up and we�ll see if they can be cut on Bernie Kempinski�s laser.





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laugardagur, 5. mars 2011

Lay of the Lost Traveler

Essex Junction is the location where a short branch to Burlington connects to the Central Vermont�s mainline. Until the late 1930s, that branch didn�t end at the CV main, it actually crossed itt as the Burlington & Lamoille branch of the CV (named after the original B&L RR).
As one of the key scenes on my layout I've done a lot of research on Essex Junction over the years. One of the most interesting things to turn up in my research is the following poem. (I'm not particularly into poetry . . . oh heck, I can't stand it and never read it after I finished school and didn't have to . . .) But the following goes to show just how classy this blog is - not just poetry but 19th century poetry no less.
A number of railroad towns have been immortalized in poetry and song over the years, and Essex Junction is no exception. The poem, �Lay of the Lost Traveler� is said to have been inspired when the author, the Honorable Edward J. Phelps, left Burlington on the so-called �shuttle train� for Boston via Essex Junction.  He stepped off this train in Essex and waited for the arrival of the mainline train. The usual shifting of trains took place and Mr. Phelps, without inquiring, got on board the train he anticipated would take him to Boston. In fact, he had reboarded the �shuttle� train which promptly deposited Mr. Phelps back in Burlington, his starting point. There, on his arrival, he penned the following:

The Lay of the Lost Traveler

With saddened eye and battered hat
And eye that told of black despair,
On wooden bench the traveler sat,
Cursing the fate that brought him there.
�Nine hours,� he cried, �we�ve lingered here
With thought intent on distant homes,
Waiting for that delusive train
That, always coming, never comes,
Till weary, worn
Distressed, forlorn
And paralyzed in every function!
I hope in hell
His soul my dwell
Who first invented Essex Junction!

�Here Boston waits for Ogdensburg
And Ogdensburg for Montreal,
And late New York tarrieth
And Saratoga hindereth all!
From far Atlantic� wave-swept bays
To Mississippi�s turbid tide
All accidents, mishaps, delays,
Are gathered here and multiplied!
Oh, fellow man avoid this spot
As you would plague or Peter Funk shun!
And I hope in hell
His soul may dwell
Who first invented Essex Junction!

�And long and late conductors tell
Of trains delayed or late or slow,
Till the e�en the very engine�s bell
Takes up the cry, 'No go! No go!'
Oh! Let me from this hole depart,
By any route so�t be a lone one,�
He cried, with madness in his heart,
And jumped aboard a train � the wrong one.
And as he vanished in the smoke
He shouted with redoubled unction,
�I hope in hell
His soul may dwell
Who first invented Essex Junction!�
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laugardagur, 19. febrúar 2011

Test-fitting Essex Junction's trainshed

Progress has been a little slower than I'd hoped, but things are starting to pick up!


I'm happy to report that this evening, after spending a pleasant day with a bunch of C&O modelers, I came home and got a coat of sky blue paint on the new peninsula backdrops. It's a simple task, but not a particularly enjoyable one - likely the reason I'd been putting it off. But at least it's done. It's amazing how much it brightens up the room.

I also dug out my drawings of the Essex Junction trainshed and used them to make this somewhat rudimentary mockup of the shed and station. I know it may be a while before I get around to building the real model, so this will help with planning the scene. Also, I wanted to confirm the dimensions of the actual model just to be sure the trains can actually run through the shed without hitting the roof joists.

The mockup is made from matte board. I have some black matte board that I'll use to add a roof. Seeing the building "full size" in mockup form convinces me I need a good plan for getting inside the the finished model for access, track cleaning and maintenance.

A removable roof - or at least some portion of the roof being removable, seems to be the answer. I need to think through that one.

I also started toying with building arrangements in Waterbury - but I'll keep that in a separate post.




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